The Colosseum

featured on the 5 Eurocents coin

Quamdiu stabit Colyseus stabit et Roma.
Quamdiu cadet Colyseus cadet et Roma.
Quamdiu cadet Roma cadet et mundus.


     (profecy by the Venerable Bede, c. AD 700)

"As long as the Colosseum stands, Rome will stand.
When the Colosseum collapses, Rome will collapse.
When Rome collapses, the world will collapse."

The Colosseum is one of the largest surviving relics of the Roman civilization, and the most famous symbol of the city of Rome.
Its original name is Flavian Amphiteatre, from the family name of emperor Vespasian, who started the works for its making in AD 72; he was so eager to finish the works that in year 79, shortly before dying, he officially opened the arena, despite it was built only in part. It was completed under his son Titus (81), while his other son Domitian (reigned 81-96) only gave a few finishing touches.
A few years earlier, the ground where the Colosseum stands was occupied by an artificial pond, in the vast gardens of Nero's Golden House; as most parts of the fabulous mansion, after the owner's death also the pond was filled up and reused as a building site.

Its outer side consists of three levels, each one with 80 arches, and a fourth level or attic with 240 small windows. On the first three levels the arches alternate with columns, whose capitols are carved according to the three classic styles (from the bottom: doric, ionic and corynthian).
The arches of the ground storey acted as individual entrances to the arena: Roman numberals running from I (one) to LXXX (eighty) are inscribed above each of them.

Instead the archways of the second and third level were once occupied by statues, none of which has been left in place; some fragments of one of these statues have been recently (2008) found during an excavation outside the southern end of the amphitheatre.

Inside the building runs a complicated system of corridors and staircases, large enough to let the huge crowd of spectators enter and exit the arena without getting jammed.

In those days its dimensions must have really appeared gigantic: it measures 188 metres in length and 156 metres in width, with a perimeter of 527 metres. Its shape is that of a regular oval: unlike theatres, amphitheatres, from the Greek amfi amphi ("around") and qeatron theatron ("theatre"), had seats for the public all around the arena.

The name Colosseum came into use during the early Middle Ages (the aforesaid prophecy by the Venerable Bede is one of the earliest examples), probably due to an enormous statue, i.e. a colossus, that measured about 35 m (115 ft) in hight, featuring emperor Nero. After the infamous emperor's death, his Golden House was destroyed, and the colossus was given a new face, featuring god Apollo. Then, around 120, it was moved from its original position to the open space by the northern end of the amphiteathre (24 elephants were employed for this heavy task). Despite its gigantic dimensions, this famous seems to have disappeared, sometime around year 1000; none of its parts has ever been retrieved.
the Colosseum's dimensions

Others maintain that the name might have come from the Collis Iseum, the end of the Esquiline Hill where once stood the largest among Roman temples dedicated to the Egyptian goddesses Isis and Serapis; this cult was very popular in imperial Rome, especially among members of the high society.
According to a further curious theory, the name might even be the corruption of Colys eum? ("do you worship him?"), a question that was part of a satanic rite. In fact, up to the late Renaissance age, the Colosseum used to be a chosen site for performing stealthily pagan and black magic rituals during night-time.


To the ancient Romans, this building was the equivalent of a modern stadium, and it mainly hosted three kinds of shows, called Munera, Venationes and Naumachiae.

Munera: these were the main kind of tournament, in which gladiators fought one against the other: the winner of a match challenged the winner of another match, and so on until only one among many competitors was the winner. The gladiators were in most cases enslaved war prisoners, who fought for the prime purpose of earning enough money to buy their freedom back from their owners. The name 'gladiator' comes from the gladius, i.e. a short pointed sword with two blades that some of them used. In fact, they were divided into several categories, each of which had its own fighting attitude, according to the weapons they wielded and the protections they wore. Furthermore, not all categories existed at the same time, some of them having developed from earlier schemes.
These were the most common types of gladiators:
helmet worn by the Murmillones
  • the Secutores ("chasers") wore a globe-shaped helmet, shin guards and carried a rounded shield with his left arm, while the right arm was padded and in the hand he carried a sword called sica, even shorter than a gladius;
  • the Hoplomachi ("those who fight like the Oplites", the latter being the Greek heavy infantry soldiers) wore a helmet, shin guards and carried a shield and a short sword with his left arm, while the right arm was padded and held a spear;
  • the Thraeces were fighters of small build who wore a leather corset, a helmet decorated with a griffon or with feathers, shin guards, and carried a curved sica and a round shield;
  • the Murmillones wore a large helmet with a grill to protect the face and shin guards, and held a typical gladius and a long rectangular shield, similar to the one carried by the Roman infantry;
  • the Retiarii had no protection except a metal guard on their left arm, ending with a shoulder plaque that guarded their neck; they carried a net, a trident and a dagger with a large blade (pugium); these weapons mimicked the equipment of a fisherman, likely in connection with the cult of Neptune, god of the seas.
  • Several other categories are mentioned by literary sources, but they were less common.
    Usually specific categories fought one against the other: the Retiarii were matched against the Secutores or the Hoplomachi, while the fast Thraeces fought against the Murmillones, whom their heavy equipment made rather slow.

    Fights very often ended with the death of the loser: a gladiator could die killed by his opponent, but if he was floored still alive, the last word was left to the emperor, who usually attended the tournament. If in his own opinion (sometimes partly influenced by the roaring crowd) the loser had fought bravely, he would spare the gladiator's life; otherwise he would have him definitively killed on the spot by the winner (gladiators also received a specific training on how to kill a floored opponent without hesitation).
    In addition, each emperor had his own sympathies for one category or another. For instance, Titus was particularly fond of Thraeces, while his brother Domitian fancied the Hoplomachi. Instead nobody partied for the Retiarii, who were held in lesser consideration, basically because they wore no helmet and their net was also looked at as 'less manly' than a sword.

    Nowadays this kind of entertainment would be considered unacceptable for its brutality, but this was also the opinion of a number of cultured Romans. However, the large majority of the people really enjoyed such gruesome shows.

    Venationes (hunts): another blood-shedding type of show consisted in hunting and killing wild and exotic animals, such as elephants, crocodiles, lions, tigers, buffalos, zebras, hippos, camels, ostriches, and several other species, taken to Rome in great quantity for this purpose, from the empire's territories in northern Africa and the Middle East. This show took place in an exotic setting that recreated the wildlife environment, obtained by arranging painted backgrounds all around the arena. Some bones of these animals were found in the sewage system that ran below the arena. The fighters who took parto to 'hunts' were called bestiarii and were looked down at by the real gladiators. They too, though, shared the same social rank.
    During the events for the opening of the Colosseum, which according to historical sources lasted 100 days, some 5,000 wild animals were killed. This also happened every time games were held for special events, such as a military victory, or an important anniversary.
    the Colosseum in its original setting
(model in the Museum of Roman Civilization)

    Several emperors too took part to these hunts, either using arrows from the royal box (called the pulvinar) or even stepping into the arena themselves, as emperor Commodus, very fond of both munera and venationes, despite his father Marcus Aurelius, known as the 'philospher emperor', completely disregarded violent shows.

    Naumachiae: these were mock naval battles, though using real ships, made possible by flooding the arena with water. Besides the Colosseum, other smaller stadiums in Rome were built on purpose for this peculiar kind of entertainment, enjoyed by many emperors (in particular, by Octavianus Augustus), and by the common people alike. Therefore, naumachiae took place here rather occasionally. Instead, there is no historical evidence that the Colosseum hosted the killing of Christian believers, by making them fight against wild animals, although this became a common belief.

    gate no.48
    The public accessed the building from eighty gates; all of them were numbered, because many spectators had what today would be called a card, or pass, consisting of a badge with a symbol in relief, similar to the ones shown below, whose design differred according to the entrance and to the tiers' sector.
    The Colosseum could hold up to about 70,000 spectators, most of which seated. The seats were in wood and bricks, except the ones of the imperial box, that were in marble. The few people left without a seat could stand in the uppermost section of the building.
    access badges for various types of show
(National Roman Museum)

    At the very top, a system of sails, ropes and pulleys, operated by soldiers from a particular military navy corps, could be drawn over the public, to protect the people from a long exposure to the hot summer sun.
    The arena's floor was made of wooden planks, covered with sand. Below the floor was a complicated system of galleries and chambers, whose remains can be seen today, since the floor has completely disappeared. They were used as deposits for weapons, tools and scenery.
    There also was an underground passage that connected the Colosseum with the nearby Ludus Magnus, i.e. a training school for gladiators, shaped as a small arena, whose remains can still be seen.

    Also the wild animals were kept there in cages; at the right time, they were led onto the arena's floor either along slopes or by using a number of elevators.
    The fights between gladiators were stopped in year 404 by emperor Honorius, who was a fervent Christian, while the animal hunts ended about one century later. Therefore, at the beginning of the Middle Ages, the Colosseum was left in a state of abandonment.

    Year after year, decade after decade, the arena became a huge swamp, filled with mud, until during the 11th century the noble Frangipane family turned the building into their own private stronghold, which included, among other remains, also the nearby arch of Titus. The fortress reached in height the second order of arches; today no trace of it is left.
    remains of the gladiators' training school

    About 200 years later it became the property of another noble family, the Annibaldi, and finally it ended up in the hands of the popes: this caused the Colosseum to fall once again into oblivion; the monument was even plundered of several marble fragments, used either for producing lime, or directly recycled for the making of other buildings. The aforesaid fragments were already lying on the ground, as a consequence of a series of earthquakes that struck Rome particularly during the 14th century. Also metal parts of the Colosseum were taken away and reused; the many large holes visible today (picture below) are the ones left by stolen hinges that once held the blocks together.

    the many holes left by the stolen hinges
    Between the late 16th and the early 17th centuries, the popes' interest turned again upon the Colosseum, following the belief that this arena had been a place of martyrdom for many Christians. The site was therefore cleared from the many thieves and prostitutes, who had chosen these ruins as a shelter, and closed by means of gates. A number of Christian symbols, and a small church, were set among the ancient remains.

    When the papacy fell (1870) a real restoration campaign was carried out upon the building: the whole central area had to be cleared of trees and wild vegetation that had been growing over the arena for over one thousand years, and some modern additions were removed. Following excavations unearthed the underground galleries.
    Among the curious remains found on the spot are several fruit stones, thrown away by spectators after having nibbled on peaches and olives during an event, almost two thousand years ago.
    in year 2000, the Colosseum hosted a theatre play, its first event after over 1000 years


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