Even considering these ones, the list would still be incomplete: besides the fountains disregarded on purpose (see again the monograph's Foreword), there are other ones in Rome large enough to be included in these pages; but since they do not have a name, nor a story to tell, and for some of them even their author is no longer remembered, they have been left out of the list. Some typical examples of such modern 'anonymous' fountains, with very little sculpture work, or no sculpture work at all, are featured in these last pictures. Most of them are located in EUR district, built between the 1930s and the late 1950s, where such fountains were commonly used to furnish the many wide plazas, open areas and gardens, as they represent indeed an impressive embellishment, yet being their making relatively inexpensive.

The latest fountain built is the one belonging to the new building that covers the Altar of Peace (Ara Pacis), a controversial work by architect Richard Meyer. It consists of a square pool with sixteen vertical gushes; on one side, a wall is soaked for its whole length by the water that trickles from a gutter running along its upper edge.

The golden age of fountain-making has long since subsided, and certainly nobody can expect that new important fountains will ever be built in Rome's historical downtown. However, still today sculptures or other works of art set in several districts make use of running water, as an active part of the composition. Their final outcome may not always meet the people's taste, but we should not forget that in the past this happened also to some of the historical fountains!
Even these minor works give their contribution for perpetuating the everlasting bond between Rome and its water.